My work explores the dialogue between humanity and the natural world, with a practice that is both socially and environmentally concerned. Through photography, I investigate the connections and contradictions that define our existence: the fragility and importance of ecosystems, and the controversial, often complicated position of humanity within the world and society.
With a background in fine art painting and a degree in photography, colour and composition play a central role in my images. This foundation informs not only how I see, but also how I create: I sometimes paint directly onto printed photographs, or craft props such as clay-modelled skulls for my series ‘Circle of Life’. These interventions bring my visions into physical form, blurring the line between disciplines and keeping my practice rooted in material creativity.
Many of my works take the form of self-portraits. Yet these are not explorations of myself, but rather performances — a way to embody the concepts and metaphors I want to give life to. By placing myself within the frame, I create a direct human connection to ideas of ecology, identity, and coexistence.
Always rooted in deep research — scientific, sociological, and historical — my projects use photography not only to document but to question. They seek to understand, and perhaps shape, a better future. Exhibited across the UK and as part of international group shows, my work creates a space of reflection where images move beyond representation and become catalysts for awareness, dialogue, and change.
